The Counterjihad movement has successfully established in the public mind many of the countless examples of Muslim absurdity such as their propensity to drink camel urine and the like. But there are many comparable examples of Jewish absurdity - often very similar in nature - that are much less well known. So this will be an ongoing series highlighting some of them, intended to establish both the alienness of Jews and their similarity to Muslims.
Did you know that some religious nationalist Jews are forbidden from listening to songs sung by women? Or that, for this reason, Israel had a radio station featuring songs that were originally sung by women rerecorded by men with the men's voices up-pitched to sit in the female register?
The religious-nationalist Jewish compromises with modernity regarding women are exceedingly complicated in many ways. The Halacha forbids Jewish males to listen to women singing whether in a choir or solo regardless of what is sung. This is stated directly in the halachic ruling that a voice of a woman is adultery. This is interpreted by later halachic rulings stipulating that the word "voice" here means a woman's singing not speaking. This rule, originating in the Talmud, occurs in all codes of law. A Jewish male who willingly listens to a woman's singing commits a sin equivalent either to adultery or fornication. The great majority of NRP faithful members, nevertheless, listen to women singing and thus commit "adultery" routinely. Some of the most strict NRP members, especially among the religious settlers in the West Bank, have not only puzzled over this problem but at times have tried to solve the problem of how to adjust by developing creative approaches. In the early 1990s some of the settlers founded a new radio station, Arutz, or Channel, 7. For their station to become successful and to appeal as broadly as possible to Israeli Jews, the settlers understood that the songs of the fashionable singers of the day, some of whom were women, would have to be broadcast. The rabbinical censor, however, has refused to allow a breach of the Halacha whereby male listeners would hear female singers and thus commit "adultery." After further consultation with the censor, the settlers devised an acceptable solution that is still being employed. Men sing the songs, made popular by women; the male voices are then electronically changed to the female pitch and are broadcast accordingly over Arutz 7. A part of the traditional public is satisfied by this expedient, and the learned NRP rabbis insist that no adultery is committed when men listen to the songs being sung. The Haredim obviously have rejected and condemned this accommodation and to date have refused to listen to Arutz 7. Even more importantly, the Haredim, after increasing somewhat their political power in the 1988 elections, were able to impose their position in this regard upon the whole state by forcing a change in the opening of the new Knesset session. The opening ceremony previously began with the singing of "Hatikva," the Israeli national anthem, by a mixed male-female choir. After the 1988 election, in deference to Haredi sensitivities, a male singer replaced the mixed choir. After the 1992 election, won by Labor, an all-male choir of the Military Rabbinate sang "Hatikva."Source: Jewish Fundamentalism Within Jewish Society by Israel Shahak and Norton Mezvinksy (link)